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Sculpting the past

Sculpture by Andreas Drenters

By

Andreas Drenters

Intangible heritage

Published Date: 08 Sep 2017

Photo: Outdoor metal sculpture by Andreas Drenters

My family and I lived on a farm in The Netherlands during the Second World War. My father was an inventor and blacksmith, and there was an abundance of material around his shop, including hand-forged agricultural objects from the 16th and 17th centuries. As a child, fascinated by metal shapes, I made toys for myself and my friends.

I learned to work with metal from my father. When I was very small and I’d be cranking the forge, my dad said to me: “If you like this, just watch me.” And I did. I watched every move he made.

In the early 1950s, my family moved to Canada, where we continued to farm. I was quickly drawn to the variety and quality of pioneer agriculture machinery and continued to make things. By the early 1960s, my found-metal objects were becoming recognized as sculptures that had cultural significance. Since then, I have made several thousand metal sculptures of various sizes and themes and had many exhibitions.

I wake up early and get to work. I take care of the chores then go into my workshop. Being raised on the farm, you had to get up early, you know: tend to the animals. You have to put in many hours. So, I never lost that touch from my childhood. I love those old rhythms. Things need to be maintained and looked after.

I have my brother’s anvil. It’s rare to have an anvil with a ring like it has. Sometimes when I come into the workshop and I don’t really feel like sculpting or know what to make, I strike the anvil. I hear that ring and it sets my tone. Next thing, I’m sculpting. Sometimes you have to play tricks on yourself.

I have people visit me all the time. I teach them different things. They might struggle with welding things together, and I am a fairly good welder, so I give them a lesson. Sometimes we spend half a day or a whole day just showing different things: how I rivet things together if it needs to be riveted or welded or shaped. So, I might be bending metal and different shapes and they get inspired by that. And then I let them try it and I teach them while they’re doing it. So, they get involved in it, hands on. They are always happy, they always say: “Can I come back for another session?” I say: “Of course, anytime. I’ll put some time aside and help you with that.”

Excerpt from a 2017 interview.

Andreas Drenters in his workshop

Andreas Drenters in his workshop